The nude figure is a tradition in Western art, and has been used to express ideals of beauty and other human qualities. It was central in Ancient Greek art, and a central position in Western. Athletes, dancers, and warriors are depicted to express human energy and life, and nudes in various poses may express basic or complex emotions such as pathos. In one sense, a nude is a work of fine art that has as its primary subject the unclothed human body. LEGACY ARTWORKS
02 Works, The Art Of The Nude, with footnotes # 16
01 Painting, The Art Of The Nude, Tom Wesselmann's Study for Nude Lithograph, with footnotes # 15
Oil on canvas
11 x 16 in. (28 x 40.6 cm.)
Wesselmann was drafted into the US Army in 1952, two years into the Korean War. During his military service, he learned—then taught—aerial photography interpretation, and began to draw cartoons about his experiences. Upon his return to his hometown of Cincinnati, he completed a BA in psychology at the University of Cincinnati and began taking classes at the Art Academy of Cincinnati. In fall 1956, he moved to New York City to study art at the Cooper Union for the Advancement of Science and Art. At Cooper Union, he met Claire Selley, who would become his wife and lifelong muse.
Living in Brooklyn, Wesselmann supported himself by selling cartoons to the Saturday Evening Post, “gag” magazines, and advertising agencies. In the late 1950s, he cofounded the Judson Gallery in the West Village with Marc Ratliff and Jim Dine. After completing his studies at Cooper Union, Wesselmann spent three years teaching high school art and math. During the evening, he continued to expand his own artistic practice, making small portrait collages.
Wesselmann is highly regarded for his Great American Nude series (1961–73), which combines sensual depictions of the female figure with references to art history and popular culture. Many of these lounging female subjects were painted in patriotic red, white, and blue. In the late 1960s Wesselmann created close-up views of the nude in the Bedroom Paintings (1968–83). More on Tom Wesselmann
From 1967 through 1981 Wesselmann worked on his Standing Still Life paintings, monumental works comprising multiple canvases shaped according to the outline of the commonplace objects that they depict. After the Standing Still Lifes, Wesselmann continued to make three-dimensional sculptural work. He also developed an innovative technique of “drawing” with sculptural materials, cutting steel and aluminum in the shape of his drawn forms. His abstract works of the mid-1990s, through the early 2000s expanded this mode of working on a larger scale, and continued to push the boundaries between painting and sculpture. More on Tom Wesselmann
Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and my art stores at deviantart and Aaroko
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01 Painting, The Art Of The Nude, Tom Wesselmann's LONG DELAYED NUDE, with footnotes # 14
Wesselmann was drafted into the US Army in 1952, two years into the Korean War. During his military service, he learned—then taught—aerial photography interpretation, and began to draw cartoons about his experiences. Upon his return to his hometown of Cincinnati, he completed a BA in psychology at the University of Cincinnati and began taking classes at the Art Academy of Cincinnati. In fall 1956, he moved to New York City to study art at the Cooper Union for the Advancement of Science and Art. At Cooper Union, he met Claire Selley, who would become his wife and lifelong muse.
Living in Brooklyn, Wesselmann supported himself by selling cartoons to the Saturday Evening Post, “gag” magazines, and advertising agencies. In the late 1950s, he cofounded the Judson Gallery in the West Village with Marc Ratliff and Jim Dine. After completing his studies at Cooper Union, Wesselmann spent three years teaching high school art and math. During the evening, he continued to expand his own artistic practice, making small portrait collages.
Wesselmann is highly regarded for his Great American Nude series (1961–73), which combines sensual depictions of the female figure with references to art history and popular culture. Many of these lounging female subjects were painted in patriotic red, white, and blue. In the late 1960s Wesselmann created close-up views of the nude in the Bedroom Paintings (1968–83). More on Tom Wesselmann
From 1967 through 1981 Wesselmann worked on his Standing Still Life paintings, monumental works comprising multiple canvases shaped according to the outline of the commonplace objects that they depict. After the Standing Still Lifes, Wesselmann continued to make three-dimensional sculptural work. He also developed an innovative technique of “drawing” with sculptural materials, cutting steel and aluminum in the shape of his drawn forms. His abstract works of the mid-1990s, through the early 2000s expanded this mode of working on a larger scale, and continued to push the boundaries between painting and sculpture. More on Tom Wesselmann
Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and my art stores at deviantart and Aaroko
Images are copyright of their respective
owners, assignees or others. Some Images may be subject to copyright
I don't own any of these images - credit is
always given when due unless it is unknown to me. if I post your images without
your permission, please tell me.
Ads are shown only to compensate the hosting
expenses.
If you enjoyed this post, please share with
friends and family.
Thank you for visiting my blog and also for
liking its posts and pages.
Please note that the content of this post
primarily consists of articles available from Wikipedia or other free sources
online.
05 works, The Art Of The Nude, Diane Arbus' In a Nudist Camp, with footnotes #232
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