02 Works, The Art Of The Nude, with footnotes # 16

Conrad Jon Godly
Amber Smith, Hollywood, 1995
Vintage C-print
cm 41,6 x 34,5 (cm 39,5 x 32 picture)
Private collection

Amber Smith was born in Tampa, Florida. Smith started modeling by age 16. As a teenager she was represented by Irene Marie Models in Miami Beach and traveled to Paris, France, where she worked as a model throughout Europe for four years. Her breakthrough came when her naturally blonde hair was dyed red, giving her a strong resemblance to 1940s and '50s movie star Rita Hayworth.

Smith appeared in back-to-back issues of the Sports Illustrated Swimsuit Issue, and became Esquire magazine's first Vargas Girl of the 1990s. She also became the first model of the Wonderbra campaign. She later posed for photographer Helmut Newton for a Wolford advertising campaign, and was the model for the 2002 lingerie campaign for Venus Victoria, the European sister company to Victoria's Secret.

Smith was cast in her first film role in Paul Mazursky's Faithful. She also appeared in The Funeral,  and The Mirror Has Two Faces. She played Susan Lefferts, a Rita Hayworth lookalike, in Curtis Hanson's L.A. Confidential. Smith's resemblance to Hayworth came into play again with a role in HBO's cable telefilm The Rat Pack. More on Amber Smith

Conrad Jon Godly
Amber Smith, Hollywood, 1995
Vintage gelatin silver print
cm 40,5 x 31 (cm 30 x 25 picture)
Private collection

Conrad Jon Godly is a Swiss painter based in Graubuenden, Switzerland. Godly originally studied as a painter at the Basel School of Art in the 80s, and then was a professional photographer for almost 2 decades – until he decided to return to painting. first working from a studio in Vienna, he eventually returned to his home in the Swiss Alps, where he studies the mountains on long walks with his camera. More on Conrad Jon Godly




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01 Painting, The Art Of The Nude, with footnotes # 15

Tom Wesselmann, 1931 - 2004
Study for Nude Lithograph, dated 1976 
Oil on canvas
11 x 16 in. (28 x 40.6 cm.)
Private property

Initially a cartoonist for men's magazines, Tom Wesselmann reduced the classical female nude to her essential components: lips, nips and pubes. His Venuses have tan lines. Cigarettes dangle from their rocket-red mouths. Their crisp outlines resonate with the immediacy of a neon sign. Like the nudes of Titian, Velasquez, or Rubens, Wesselmann's mid-century modern nudes sprawl across furniture in suggestive poses, awaiting a lover the viewer naturally assumes is him. Wesselmann's chief interest was not to draw attention to the subject, but "to make figurative art as exciting as abstract art." He succeeded brilliantly at this, and his work engages our senses - as Jim Dine told him before Wesselmann's first show in New York, "You may be one of America's great painters." More on Tom Wesselmann

Tom Wesselmann (1931–2004) was one of the leading American Pop artists of the 1960s. Departing from Abstract Expressionism, he explored classical representations of the nude, still life, and landscape, while incorporating everyday objects and advertising ephemera.

Wesselmann was drafted into the US Army in 1952, two years into the Korean War. During his military service, he learned—then taught—aerial photography interpretation, and began to draw cartoons about his experiences. Upon his return to his hometown of Cincinnati, he completed a BA in psychology at the University of Cincinnati and began taking classes at the Art Academy of Cincinnati. In fall 1956, he moved to New York City to study art at the Cooper Union for the Advancement of Science and Art. At Cooper Union, he met Claire Selley, who would become his wife and lifelong muse. 

Living in Brooklyn, Wesselmann supported himself by selling cartoons to the Saturday Evening Post, “gag” magazines, and advertising agencies. In the late 1950s, he cofounded the Judson Gallery in the West Village with Marc Ratliff and Jim Dine. After completing his studies at Cooper Union, Wesselmann spent three years teaching high school art and math. During the evening, he continued to expand his own artistic practice, making small portrait collages. 

Wesselmann is highly regarded for his Great American Nude series (1961–73), which combines sensual depictions of the female figure with references to art history and popular culture. Many of these lounging female subjects were painted in patriotic red, white, and blue. In the late 1960s Wesselmann created close-up views of the nude in the Bedroom Paintings (1968–83). More on Tom Wesselmann

From 1967 through 1981 Wesselmann worked on his Standing Still Life paintings, monumental works comprising multiple canvases shaped according to the outline of the commonplace objects that they depict. After the Standing Still Lifes, Wesselmann continued to make three-dimensional sculptural work. He also developed an innovative technique of “drawing” with sculptural materials, cutting steel and aluminum in the shape of his drawn forms. His abstract works of the mid-1990s, through the early 2000s expanded this mode of working on a larger scale, and continued to push the boundaries between painting and sculpture. More on Tom Wesselmann






Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

01 Painting, The Art Of The Nude, with footnotes # 14

Tom Wesselmann, 1931 - 2004
LONG DELAYED NUDE, dated 1967-75
Oil on shaped canvas
172 x 258 cm; 67  3/4  x 101  9/16  in.
Private property

Initially a cartoonist for men's magazines, Tom Wesselmann reduced the classical female nude to her essential components: lips, nips and pubes. His Venuses have tan lines. Cigarettes dangle from their rocket-red mouths. Their crisp outlines resonate with the immediacy of a neon sign. Like the nudes of Titian, Velasquez, or Rubens, Wesselmann's mid-century modern nudes sprawl across furniture in suggestive poses, awaiting a lover the viewer naturally assumes is him. Wesselmann's chief interest was not to draw attention to the subject, but "to make figurative art as exciting as abstract art." He succeeded brilliantly at this, and his work engages our senses - as Jim Dine told him before Wesselmann's first show in New York, "You may be one of America's great painters." More on Tom Wesselmann

Tom Wesselmann (1931–2004) was one of the leading American Pop artists of the 1960s. Departing from Abstract Expressionism, he explored classical representations of the nude, still life, and landscape, while incorporating everyday objects and advertising ephemera.

Wesselmann was drafted into the US Army in 1952, two years into the Korean War. During his military service, he learned—then taught—aerial photography interpretation, and began to draw cartoons about his experiences. Upon his return to his hometown of Cincinnati, he completed a BA in psychology at the University of Cincinnati and began taking classes at the Art Academy of Cincinnati. In fall 1956, he moved to New York City to study art at the Cooper Union for the Advancement of Science and Art. At Cooper Union, he met Claire Selley, who would become his wife and lifelong muse. 

Living in Brooklyn, Wesselmann supported himself by selling cartoons to the Saturday Evening Post, “gag” magazines, and advertising agencies. In the late 1950s, he cofounded the Judson Gallery in the West Village with Marc Ratliff and Jim Dine. After completing his studies at Cooper Union, Wesselmann spent three years teaching high school art and math. During the evening, he continued to expand his own artistic practice, making small portrait collages. 

Wesselmann is highly regarded for his Great American Nude series (1961–73), which combines sensual depictions of the female figure with references to art history and popular culture. Many of these lounging female subjects were painted in patriotic red, white, and blue. In the late 1960s Wesselmann created close-up views of the nude in the Bedroom Paintings (1968–83). More on Tom Wesselmann


From 1967 through 1981 Wesselmann worked on his Standing Still Life paintings, monumental works comprising multiple canvases shaped according to the outline of the commonplace objects that they depict. After the Standing Still Lifes, Wesselmann continued to make three-dimensional sculptural work. He also developed an innovative technique of “drawing” with sculptural materials, cutting steel and aluminum in the shape of his drawn forms. His abstract works of the mid-1990s, through the early 2000s expanded this mode of working on a larger scale, and continued to push the boundaries between painting and sculpture. More on Tom Wesselmann





Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceAnd visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.



Thank you for visiting my blog and also for liking its posts and pages.

10 works, The Art Of The Nude, MAN RAY's Kiki of Montparnasse, with footnotes #217

MAN RAY (1890-1976) Portrait de Kiki, c. 1923 Oil on canvas 24 1/8 x 18 in. (61.3 x 45.6 cm.) Private collection Sold for USD 1,623,000 in ...