Frank Eugene (American, 1865–1938)
Adam and Eve , 1898–1899
Photogravure
17.8 x 12.7 cm. (7 x 5 in.)
Private collection
Adam and Eve, according to the creation myth of the Abrahamic religions,
were the first man and woman and the ancestors of all humans. The story of Adam
and Eve is central to the belief that YHWH created human beings to live in a
paradise on earth, although they fell away from that state and formed the
present world full of suffering and injustice. It provides the basis for the
belief that humanity is in essence a single family, with everyone descended
from a single pair of original ancestors. It also provides much of the
scriptural basis for the doctrines of the fall of man and original Sin,
important beliefs in Christianity, although not generally shared by Judaism or
Islam. More on
Adam and Eve
Born in New York, Frank Eugene spent most of his life in Germany, where he was an important figure in avant-garde photography and photographic education. He traveled to Germany for the first time in 1886 to attend the Bavarian Academy of Graphic Arts in Munich, and upon his return to New York in 1894, he studied photography and worked as a stage designer and portraitist. His strong painting background, combined with his expertise in etching and his affinity for Jugendstil, resulted in photographs with heavily manipulated surfaces and a hand-made sensibility. His Pictorialist works warranted his election to the Linked Ring Brotherhood in London in 1900 and recommended his work to Alfred Stieglitz, who in 1902 invited Eugene to be a founder-member of the Photo-Secession. Eugene devoted the majority of his time to serving as a photographic educator in Germany, first in Munich and then in Leipzig.
Frank Eugene was significant in the Pictorialist movement of the early 1900s; his pictures helped fortify the connection between painting and photography that led to the acceptance of photography as a fine art. His facility with painting, etching, and such photographic techniques as the gum bichromate and autochrome processes have distinguished him as an accomplished practitioner of early-twentieth-century photography. Lisa Hostetler
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